Mostly for worse, Aaron Sorkin’s directorial debut, Molly’s Game, is pure unchecked Sorkin. Advertisements
It’s time to accept that these movies aren’t going to get better, and they’re not going to become interestingly bad again.
Lost in Paris will absolutely not be for everyone, but those who can vibe with it are in for a sweet, fun, if insubstantial love letter to 20s slapstick cinema.
Tiger Girl, On the Beach at Night Alone, and Life Imitation.
Jailbreak, The Meyerowitz Stories (New and Selected), and Tonsler Park.
It’s about 3 years too late, will win no new fans, and never escapes feeling like The Film of The TV Show, but My Little Pony: The Movie serves as an enjoyable microcosm of why Friendship is Magic is so beloved.
During the Festival, I got the chance to interview animator Nora Twomey, director of my Film of the Festival, The Breadwinner.
Reflections and the best of the Fest.
Birthdays, Manhunt, and the Closing Film: Three Billboards Outside Ebbing, Missouri.
The Rider, Nico, 1988, and Jane.