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Callie Petch

Most times film stuff. Other times other stuff.

The Dissident

Brian Fogel’s latest documentary is a fantastic and vital piece of journalism, albeit one whose potency is dulled slightly by questionable presentation decisions.

February 26, 2021February 25, 2021 Callie PetchLeave a comment

Slalom

Charlène Favier’s debut feature is a perpetually unsettling and solidly-crafted abuse drama with a great central performance.

February 12, 2021February 11, 2021 Callie PetchLeave a comment

Music

Sia’s appalling vanity project is ableist, racist, inept garbage.

February 11, 2021February 26, 2021 Callie PetchLeave a comment

What I’ve Been Watching: 24/01/21 – 30/01/21

Sociopaths, narcissists, alcoholics, and the lead singer of The All-American Rejects “acting.”

January 31, 2021January 31, 2021 Callie PetchLeave a comment

Baio – Dead Hand Control

Chris Baio’s third solo album is just fine even though it seems like the individual ingredients should add up to a more interesting record.

January 28, 2021February 13, 2021 Callie PetchLeave a comment

Joint Security Area (Blu-Ray)

The original Park Chan-wook breakthrough, whilst a touch ropier than the masterworks he would later create, gets a deserving remaster courtesy of Arrow Video.

January 19, 2021February 13, 2021 Callie PetchLeave a comment

Mic the Snare on YouTube, Artistic Growth, and Mental Health as a Content Creator

January 17, 2021January 17, 2021 Callie PetchLeave a comment

Away

The soulful, powerful Away is more than just an undeniable artistic achievement.  It’s also an excellent film.

January 15, 2021January 31, 2021 Callie PetchLeave a comment

2020

Allow me to re-re-introduce myself…

December 31, 2020December 31, 2020 Callie PetchLeave a comment

Callie Petch’s Top 50 Songs of 2020: #10 – #1

And now: the headline acts.

December 27, 2020December 31, 2020 Callie PetchLeave a comment

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Callie Petch

Callie Petch

Occasional Film Critic, Human Disaster, naïve progressive. (They/Them) Follow them on Letterboxd (@CalliePetch).

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